Anne and Charles’ San Francisco wedding had range: bright hotel laughter, marble-and-clock grandeur, deep-green everything, a black second look, and a dance floor that eventually filled with inflatable ponies and light-up cowboy hats. Elegant to unhinged is, frankly, an excellent wedding-day arc.
Their celebration began at The Jay Hotel, where the morning felt relaxed, joyful, and genuinely fun. Anne and Charles wanted their portraits to feel comfortable and guided without losing the candid energy of the day, so we made space for both: editorial frames with the city’s architecture and plenty of the small, unscripted moments happening between them.

Anne and Charles’ Julia Morgan Ballroom wedding
After getting ready and sharing their first look at The Jay, everyone moved to the Julia Morgan Ballroom. The venue’s marble lobby, towering columns, and landmark clock gave us an incredible visual contrast to the warmth and silliness between Anne and Charles.







A ceremony in the marble lobby
The ceremony took place in the Julia Morgan Ballroom lobby beneath layers of greenery. With roughly 130 guests gathered around them, Anne and Charles exchanged rings in a space that felt grand without losing its intimacy.
One of my favorite perspectives came from above: Anne moving through the marble atrium while their people turned toward her. It held the architecture, anticipation, movement, and community of the moment in a single frame.















A dark-green ballroom reception and a black second look
Upstairs, the reception shifted into something moodier and more cinematic. Deep-green details, candlelight, patterned dance-floor light, and the ballroom’s city views made the room feel lush without becoming overly formal.
Anne and Charles opened the dance floor with their first dance before settling into toasts, hugs, and the kind of reception moments that matter because they cannot be art-directed. Later, Anne changed into a black second look for cake cutting and the rest of the party—a perfect little plot twist that deserved its own portrait beneath the clock.












Pink Pony Club, naturally
And then came the pink ponies.
During “Pink Pony Club,” the dance floor filled with inflatable hobby horses, light-up cowboy hats and sunglasses, an inflatable pony costume, and foam glow sticks. The whole room tipped from elegant celebration into a colorful fever dream—in the best possible way.
That last stretch of the night is exactly why I never want a wedding gallery to feel too polished or samey. The beautifully composed portraits matter, but so do the wild expressions, motion blur, inside jokes, and gloriously goofy things that could only belong to these people on this night.





San Francisco wedding photography at the Julia Morgan Ballroom
If you’re planning a Julia Morgan Ballroom wedding—or any celebration with room for editorial portraits, honest candids, and whatever wonderfully weird thing happens after dinner—you can explore my wedding photography collections or get in touch.
Vendor credits
- Planning: Something Blue Productions — @somethingblueproductions
- Venue: Julia Morgan Ballroom — @juliamorganballroom
- Videography: Stories Told by Film — @storiestoldbyfilm
- Cake: Pretty Please Bakeshop
- Florals: Green Petal Designs — @greenpetaldesigns
- DJ: Sinclair Sound / Nick — @dj_nicksinclair
- Hair: Hair by Rach S — @hairbyrachs
- Makeup: Samantha Keefauver — @mua.samanthak
- Photo booth: SF Booth
- Rentals: Standard Event Rentals — @standardeventrentals
- Linens: Napa Valley Linens — @napavalleylinens
- Stationery: Union Street Papery — @unionstreetpapery
- Photography: James Lester Photography





